MELANCHOLY CONSTELLATIONS: BENJAMIN, KIEFER, KENTRIDGE AND THE PLAY OF MOURNING

Melancholy constellations: Benjamin, Kiefer, Kentridge and the play of mourning

Melancholy constellations: Benjamin, Kiefer, Kentridge and the play of mourning

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Intended as a summation as well as a continuation of several studies on the work of Walter Benjamin, Anselm Kiefer, and William Kentridge, this article proposes to configure Benjamin, Kiefer, and Kentridge in and as a melancholy constellation."Melancholy constellation" serves here ICE FREEZE HAIR SPRAY as a theoretical construct of the mobile concepts with which Benjamin, Kiefer, and Kentridge "preposterously" think and perform the imaging of history.On the basis of these mobile concepts, I shall also refer to Brooches my theoretical concept of melancholy constellation as a mobile constellation.

Furthermore, while melancholia traditionally signifies a state of acedia or immobility, its historical image will be shown to be dialectical -signifying both black bile and inspiration; always involving mobile positions.The dialectics of melancholia will be related to the dialectics of melancholy writing, which in turn is enfolded with my discussion of the performative self-reflexivity at play in the work of Benjamin, Kiefer, and Kentridge.

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